The 15K Rewrite

First drafts are such a wonderful, magical thing, full of infinite possibility and the intoxication of the blank page. They are also, usually, crap.

There’s a good reason for this. We’re just getting to know the characters, find their voices, establish the story. Here’s an example of what the first several chapters of one of my first drafts might look like:

  • Let’s choke the voice to death trying to make it beautiful!
  • Who the hell are these characters? Maybe if they putter around for a while, I’ll find out.
  • Inciting incident… 2-3 chapters too late.
  • Now let’s talk about the inciting incident in such a way as to establish our characters! Because nothing gets you turning pages quite like establishing the characters.
  • Maybe we can talk about our backstories a bit, too. If we do it while walking around or eating breakfast, that’s not exposition, right?
  • Uh-oh, nothing exciting has happened for 4 chapters. ARBITRARY ACTION SCENE TIME!

…Yeah. Really gripping stuff.

But wait! By around 15K-20K, all this flailing around has actually accomplished something. I’ve got a sense of the characters and their voices. I’ve fleshed out the inciting incident and how it impacts them. I have a better sense of what their lives and goals were like before and how the inciting incident changes everything.

Time to start over.

For the past couple first drafts I’ve written, when I got somewhere around that 15K-20K mark, I opened up a new doc and tried again. This time, I was armed with a much better understanding of my characters and my story. I didn’t entirely throw out that first try — I brought the good parts over into the new doc — but I approached it like a from-scratch rewrite.

I can’t even tell you how helpful this was. Not only was that first quarter of the book immensely better, but I launched into the rest of the first draft after the rewrite with much greater mastery of the story. The first draft of the rest of the book was better for it. I’ve heard from other writer friends who’ve done the same thing, and they’ve generally been enthusiastic about the effect as well.

Right now I’m at around 16K on the first draft of my new WIP. I’ve just hit the point where I can look back at what I’ve written and go ugh, this could be better, and I know how. And I’m about to hit a really good break point.

It’s rewrite time.

About Melissa Caruso

I'm the author of THE TETHERED MAGE, first in the Swords & Fire trilogy, out now from Orbit Books. I write fantasy novels. I love tea, adventure, and the great outdoors. I live in Massachusetts with my husband, two amazing daughters, three cats, and a Labrador. Represented by Naomi Davis of Inklings Literary. View all posts by Melissa Caruso

4 responses to “The 15K Rewrite

  • Deva Fagan

    SOOO familiar! Good luck with the reboot!

    Liked by 1 person

    • Melissa Caruso

      Thanks, Deva! It’s extra messy this time because I had several POV characters to establish, but I’m excited to sort it out and add some stakes to all of these “meeting other characters and thinking about my backstory” scenes. (Even if I want to headdesk a bit looking at them.)

      Like

  • Dan

    “…Yeah. Really gripping stuff.”

    I read a post from Wil Wheaton a while back where he talked about cutting a bunch of stuff that he really liked out of a piece of writing. Though he liked the things, he realized that it was not what the piece needed and they weren’t needed in the final product. However they were things that he needed to writen to get there. He made the analogy of the cut parts being like a scaffolding that needed to be built in order to complete the finished piece. I like that analogy, and this post made me think of that analogy. I’ve also been in the situation where I need to write some scaffolding to help me get to the final product too.

    Liked by 1 person

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